DESCRIPTION
Description
MATERIAL = velvet carries decades of conversation, its deep crimson surface worn soft in places where bodies have settled into familiar positions. The kind of patina that can't be replicated, only earned through genuine use.
POSTMODERN THINKING = the era's rejection of rigid formality translated into this armless embrace—designed for the conversation pit, the sunken living room, the social spaces that prioritized connection over ceremony.
The STRUCTURE beneath the plush surface. Dense foam over solid frame, built when furniture was still expected to last decades rather than seasons. The kind of construction that responds to weight without complaint, that holds its shape through years of daily settling.
TEXTURALITY emerges in context. Against the chrome and glass of its period, this velvet becomes anchor—the tactile counterpoint to hard surfaces, the warm mass that grounds a room's material conversation.
Modular by design, singular by presence (somehow still a set of two).
MATERIAL = velvet carries decades of conversation, its deep crimson surface worn soft in places where bodies have settled into familiar positions. The kind of patina that can't be replicated, only earned through genuine use.
POSTMODERN THINKING = the era's rejection of rigid formality translated into this armless embrace—designed for the conversation pit, the sunken living room, the social spaces that prioritized connection over ceremony.
The STRUCTURE beneath the plush surface. Dense foam over solid frame, built when furniture was still expected to last decades rather than seasons. The kind of construction that responds to weight without complaint, that holds its shape through years of daily settling.
TEXTURALITY emerges in context. Against the chrome and glass of its period, this velvet becomes anchor—the tactile counterpoint to hard surfaces, the warm mass that grounds a room's material conversation.
Modular by design, singular by presence (somehow still a set of two).
MATERIAL = velvet carries decades of conversation, its deep crimson surface worn soft in places where bodies have settled into familiar positions. The kind of patina that can't be replicated, only earned through genuine use.
POSTMODERN THINKING = the era's rejection of rigid formality translated into this armless embrace—designed for the conversation pit, the sunken living room, the social spaces that prioritized connection over ceremony.
The STRUCTURE beneath the plush surface. Dense foam over solid frame, built when furniture was still expected to last decades rather than seasons. The kind of construction that responds to weight without complaint, that holds its shape through years of daily settling.
TEXTURALITY emerges in context. Against the chrome and glass of its period, this velvet becomes anchor—the tactile counterpoint to hard surfaces, the warm mass that grounds a room's material conversation.
Modular by design, singular by presence (somehow still a set of two).
DESIGNER
Unknown (in the style of Milo Baughman or Tobia Scarpa)
CATEGORY
Seating
DIMENSIONS
75 x 72 x 78 cm
REGION
United States (likely)
CONDITION
Very good vintage condition with gentle patina throughout. Some soft fading to the velvet consistent with age and sunlight, adding to its lived-in charm.
material
Velvet upholstery, foam interior, wooden base
STYLE
Postmodern meets relaxed 1970s modular; low-slung, plush, and inviting with a lived-in elegance
PERIOD
1970s
REGION
United States (likely)
DIMENSIONS
75 x 72 x 78 cm
DESIGNER
Unknown (in the style of Milo Baughman or Tobia Scarpa)
material
Velvet upholstery, foam interior, wooden base
CONDITION
Very good vintage condition with gentle patina throughout. Some soft fading to the velvet consistent with age and sunlight, adding to its lived-in charm.
PERIOD
1970s
STYLE
Postmodern meets relaxed 1970s modular; low-slung, plush, and inviting with a lived-in elegance
