MATERIALITY AS LANGUAGE = The patina that speaks to decades of handling, the grain that reveals growth rings and seasonal stress, the oxidation that maps time itself across surfaces. We work with dealers who understand provenance beyond documentation, collectors who read objects through touch, designers who think in densities and textures.

COLLISIONS = the beautiful accidents of juxtaposition. These thoughtful accidents come in many forms, like when periods meet unexpectedly. The way Eileen Gray's lacquered screens live together with a Song dynasty celadon. How brutalist concrete softens when paired with hand-thrown pottery. The designer whose single prototype carries more conceptual weight than an entire production run.

GARDER? lies in the spaces between all the above. Objects that resist easy classification, rooms that accumulate meaning through lived contradiction, the kind of approach that follows intuition over market logic.