DESCRIPTION
Description
Wood inlaid into ebonized wood with such precision it reads as mother-of-pearl and bone. Syrian craftsmen perfecting geometric patterns that required planning every intersection before the first piece was set.
That checkerboard top, still intact. Pierced apron with horseshoe arches, columns turned and inlaid with meticulous detail. This level of work wasn't decoration—it was demonstration of mastery.
Pieces this intricate rarely survive with their geometry intact. Wood warps, inlay lifts, joints fail. This one held.
Wood inlaid into ebonized wood with such precision it reads as mother-of-pearl and bone. Syrian craftsmen perfecting geometric patterns that required planning every intersection before the first piece was set.
That checkerboard top, still intact. Pierced apron with horseshoe arches, columns turned and inlaid with meticulous detail. This level of work wasn't decoration—it was demonstration of mastery.
Pieces this intricate rarely survive with their geometry intact. Wood warps, inlay lifts, joints fail. This one held.
Wood inlaid into ebonized wood with such precision it reads as mother-of-pearl and bone. Syrian craftsmen perfecting geometric patterns that required planning every intersection before the first piece was set.
That checkerboard top, still intact. Pierced apron with horseshoe arches, columns turned and inlaid with meticulous detail. This level of work wasn't decoration—it was demonstration of mastery.
Pieces this intricate rarely survive with their geometry intact. Wood warps, inlay lifts, joints fail. This one held.
DESIGNER
Unknown
CATEGORY
Tables
REGION
Syria
CONDITION
Good antique condition. Wear consistent with age, including some scuffing and natural surface variations. Structurally solid and fully functional.
material
Wood, ebonized wood, bone, fruitwood
STYLE
Moorish Revival
PERIOD
19th century
REGION
Syria
DIMENSIONS
DESIGNER
Unknown
material
Wood, ebonized wood, bone, fruitwood
CONDITION
Good antique condition. Wear consistent with age, including some scuffing and natural surface variations. Structurally solid and fully functional.
PERIOD
19th century
STYLE
Moorish Revival






